| The PaperBoats ~ REGIONAL REACH ~ Touring Program 2023 – 2024 |
|||
|---|---|---|---|
| Season | Where | When | Presenting Partners |
| the Boy & the Ball | Communities in South East of SA | 13rd to 17th Feb 2023 | Country ArtsSA/Adelaide Fringe |
| the Boy & the Ball | Communities in Mid North of SA | 20th to 23th Feb 2023 | Country ArtsSA/Adelaide Fringe |
| the Boy & the Ball | Port Pirie | 27th Feb to 1st Mar 2023 | Country ArtsSA/Adelaide Fringe |
| Especially on Birthdays | Sir Robert Helpmann Theatre, Mt Gambier | 27th Feb to 3rd Mar 2023 | Country Arts SA |
| When the Mirror Bird Sings | Lower Eyre Peninsula Communities | 19th to 23rd June 2023 | James and Diana Ramsay Foundation Country ArtsSA |
| When the Mirror Bird Sings | Riverland Murray Mallee Communities | 25th Oct to 3rd Nov 2023 | Thyne Reid Foundation Country ArtsSA |
| Seven Little Wonders | Mt Gambier, Adelaide, Pt Lincoln and Lower Eyre Peninsular, Whyalla, Port Pirie, Renmark and the Riverland_Murray Mallee | 5th Feb – 22nd March, 2024 | The Government of South Australia through Country Arts SA’s Elevate Grants progam which supports artists and arts organisations in regional and remote SA. |
| the Boy & the Ball | Small Communities across the Riverland Murray Mallle region | TBC – 1 week | The Government of South Australia through ArtsSA and Country Arts SA |
| When the Mirror Bird Sings | Small Communities across the Limestone Coast region of South East South Australia | TBC – 1 week | The Government of South Australia through ArtsSA and Country Arts SA |
| the Boy and the Ball | Small Communities across the Riverland Murray Mallle region | TBC – 1 week | The Government of South Australia through ArtsSA and Country Arts SA |
“”It is a masterpiece in exploring the subtle niceties, insecurities and joys of play, making friends and sheer magic…
The mastery of this work is its delicacy and respect for its young audience, their capacity to respond to it and be rewarded in that response by what happens before them by a supremely aware performer in Noonan.”
“I was so captivated by the beauty and energy of Especially on Birthdays.
So many of the images left me breathless.”
“From the very beginning of When the Mirror Bird Sings, I was completely captivated, mesmerised!
It was a deeply moving performance which was archetypically layered and elegant.
The Vivaldi was sublime!”
